Composer Augusta Cecconi-Bates talks with Elisabeth about growing up a member of "the lost generation," grappling with colleagues' surprise at how "strong" her music is, and learning to respect herself.
Composer Anna Höstman talks with Elisabeth about moths who drink tears, the delights of collaboration, and the value of each person's "absolutely singular" perspective.
Pamela Z describes the creative life she had as a child, explains what a phonolog was, and relates some of the encounters she's had with both sexism and racism in her career.